 | |  |  | Angie
I have also been informed that they only
recognise 'cuban' style salsa - not NY (their
version of mambo - from what I've heard/seen -
is Ballroom style - which is very different to
what is being danced worldwide in clubs,
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Not strictly true, the UKA recognise NY on1, LA
style, cuban, columbian, etc, etc - I'm not sure
about the on2 style at the moment. Also, technique forms a big part of the exam
marking scheme. In my first exam, I was pulled
up for 'not dancing into the floor' or words to
that effect - other examinees were pulled up for
various other faults, and the UKA teacher who
submitted all the students for the exams was
given feedback on the overall performance of
the class, pulling up common faults, and
highlighting areas where the class did well, so
that he could improve the quality of his
teaching. It is useful to get a stranger's opinion of your
dancing, as your own teacher will find it hard to
be totally impartial. On the money making side of things, the amateur
exams are designed mainly to make money for the
UKA, but the teachers exams are designed primarily
as a differentiator between a good teacher, and
a fly-by-night cowboy. Passing a teachers exam is not easy - you really
need to know what you are talking about. AFAIK
the salsa style you choose is up to you - its the
quality of your teaching that matters, rather than
the style of salsa you choose to teach. Like any
other organisation, if the UKA wants to survive,
it needs to change with the times - and I am sure
the people at the top of the organisation
recognise this - otherwise, god help them! Cheers
Graeme
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